Indian Magazine Applauds the Poetic Genius of a Kashmiri Bard Revering Karbala's Essence! Facilitating Arbaeen Pilgrimage: Pakistan Proposes Free Visas for Karbala-bound Travelers Are the Narrations of Karbala Reliable? A conversation with a Japanese clerk Sheikh Ibrahim Swada Interview with an American Orientalist Unity in Faith: Iraq and Pakistan Set the Stage for Pilgrim-Friendly Policies in Karbala and Najaf Pictures: Museum of the Holy Shrine of Imam Hussein How Iraqi people became the best hosts in history? - Part II How Iraqi people became the best hosts in history - Part I The center holds a seminar On the unseen dimensions of the personality of Imam Hussein, peace be upon him (Part One) Mr. Abdul Amir Al-Quraishi receives the delegation of the Iranian Arbaeen Committee From the sea to Al-Hussein sacred slaughter place Roofing the streets of the old city (views) A delegation from Karbala Center for Studies and Research visits the Media Department at Al-Hussaini Holy Shrine Karbala: Tarateel Sajjadiyya Festival With Pictures … Arbaeen pilgrims walking from the southernmost point of Iraq Publication of the eleventh issue of (The Week) newsletter Karbala theater produced by history and represented by reality (scenes) The committees of the International Conference for the Arbaeen visitation hold their session in preparation for the conference A meeting on ideological linguistic vocabulary
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جانب من تشيع الشهيد زكي غنام
تحميل الصورة

Jawn Martyr of Karbala Lamented: Marsiyah Dar Hal Janab Jawn Ibn Hawiyy Mawla Abi Dharr Al-Ghifari

MOHAMMAD AMIR AHMAD. KAHN, Peter Knapcyzk

F J BLISSETT L, Nov 14, 2014 - 253 pages

 

This hitherto unpublished marsiyah composed by Rajad Mohammad Amir Ahmad Khan of Mahmudabad is unique for a number of reasons.

 

The subject of the marsiyah is Jawn, an Abyssinian companion of Imam al-Husayn, who was martyred in Karbala. It is the very first marsiyah known to be composed in Jawn's memory in any language of such length and breadth. Alongside the obvious references to racial equality, the marsiyah demonstrates the author's deep knowledge of Islamic history and contains subtle metaphysical meditations.

 

Another stylistic feature of this marsiyah is that it contains a saqinamah. The language of the marsiyah, with its rich turn of phrase and verses, that often incorporates allusions to Quranic verses and parts of ḥadīth, will grip both the academic and lay reader.

 

 

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